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C. L. Freer, Our Gentleman Duke of the Grand Trunk Junctions
Can Art Become A Standardized Process And Still Be Considered Art?
Cardinal August Hlond funeral and ruined St. Alexander Church. Warsaw. 1948.
Carved and built together as one.
Ceiling in detail in S. Maria del Priorato
Central Library of the University of Mexico
Central Railway Station Warsaw. 1947
chapel elevation/wall (Santa Maria della Pace?)
Charles Lang Freer, circa 1894
Charles-Francois Viel and the Instrumentalizing of Architectural Theory
Chase Manhattan Bank Plaza Garden
Cherryvale, Kansas' Union depot
Chicago and Alton Dwight, Illinois, depot of 1890
Chicago and Alton Greenville, Illinois, depot of 1885
Chinatown Cultural Investigation
Church, the Hague, facade detail
Church, the Hague: "sacred street"
Church, the Hague: alter and light
Church, the Hague: overall view
Church, the Hague: skylight detail
Cincinnati's Over-the-Rhine Historic District
Circular movement inside the square
Civic Engagement: Multiple Scales of Public Exchange
Clodion: Model for a proposed monument to commemorate the invention of the balloon in France, 1783
Cocoon House under construction, Paul Rudolph (from Paul Rudolph: The Florida Houses)
Col. Frank J. Hecker (center) and Charles L. Freer (right) in Hecker's launch, July 1911
Columns shifted to define centers of 9 square grid
Comparative plans of major Baroque central plan churches
Computer model of Korean Presbyterian Church
Computer model of Water Pavilion contrasted with actual installation
Conference room, Gary Group, 1988-90
Connection Between Individual Programs Means of gathering or blocking City sounds
Constructing a 'new' narrative of old age
Contemporary Movements: Examining the Use of Materials in Architecture and the Visual Arts
Cortile, scene design for Scene V of Constantino Bio, 1710
Courtyard, Getty Museum, Malibu, California
Creative Destruction: The Dialectic Between Memory And Potential in Urban Landscapes
cross-pollination of the surfaces
Cross-section of Newton's Cenotaph, interior day effect
Cross-section of Newton's Cenotaph, interior night effect