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Book of the week

There's nothing like this : the strategic genius of Taylor Swift

book cover

"A smart, page-turning exploration of the business and creative decisions that transformed Taylor Swift into an unprecedented modern cultural phenomenon. Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers. But how exactly has she managed to scale her success -- multiple times -- while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision? And how has she managed to master the constant disruption in the music business that has made it so hard for others to adapt and endure? In There's Nothing Like This, Kevin Evers, a senior editor at Harvard Business Review, answers these questions in riveting detail. With the same thoughtful analysis usually devoted to iconic founders, game-changing innovators, and pioneering brands, Evers chronicles the business and creative decisions that have defined each phase of Swift's career. Mixing business and art, analysis and narrative, and pulling from research in innovation, creativity, psychology,...

Last updated 04/02/2026 by S. Wilson

University Archives & Digital Special Collections

Charles Lenox Remond
Voice of the Fugitive - January 29, 1852
Elevator - June 2, 1865
Palladium of Liberty - April 24, 1844
Charles Lenox Remond
Bob'n Around
Voice of the Fugitive - December 17, 1851
Colored American - May 29, 1841
Weekly Advocate - February 4, 1837
Anglo-African Magazine - December, 1859
Charles Lenox Remond
Aliened American - April 9, 1853
Colored American - October 30, 1841
Charles Lenox Remond
Provincial Freeman - April 18, 1857
Robert Campbell
Weekly Anglo-African - April 12, 1862
Elevator - December 22, 1865
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